Acclaimed for his commanding stage presence and inventive artistry, American bass-baritone Eric Owens has carved a unique place in the contemporary opera world as both an esteemed interpreter of classic works and a champion of new music. Equally at home in concert, recital and opera performances, Owens continues to bring his powerful poise, expansive voice and instinctive acting faculties to stages around the world.
Eric Owens opens the 2010-2011 season of the Metropolitan Opera as Alberich in Das Rheingold in a new production by Robert Lepage, conducted by James Levine. He essays the title role in Peter Sellars’s new production of Handel’s Hercules, conducted by Harry Bicket at Lyric Opera of Chicago; returns to San Francisco Opera as Ramfis in Aïda, conducted by Giuseppe Finzi; and joins Riccardo Muti and the Chicago Symphony as Lodovico in concert performances of Verdi’s Otello both in Chicago and at Carnegie Hall. His concert calendar includes Beethoven’s Missa Solemnis with Donald Runnicles and the Atlanta Symphony; Elgar’s The Dream of Gerontius with Jaap van Zweden and the Netherlands Radio Philharmonic; Mozart’s Requiem with the Handel & Haydn Society under Harry Christophers; Brahms’s Ein Deutshces Requiem at Carnegie Hall with James Bagwell and the Collegiate Chorale; and Berlioz’s Roméo et Juliette with the Utah Symphony, conducted by Thierry Fischer.